Site design and content copyright Charles Brabin.
Forum
copyright 2011 Denis Masharov - licensed under the SIL Open Font License.
Istok Web
copyright 2008-2012, 2014 Andrey V. Panov - licensed under the SIL Open Font License.
Fontello
produced from:
Elusive
copyright 2013 Aristeides Stathopoulos - licensed under the SIL Open Font License.
Entypo
copyright 2012 Daniel Bruce - licensed under the SIL Open Font License.
Modern Pictograms
copyright 2012 John Caserta - licensed under the SIL Open Font License.
For prints, commissions and all other enquiries, please email me or use the form below.
Prints are giclée 30x42cm editions of 25 on archival paper; I can print oversize on request. Available unframed and framed. You can also find me on Artfinder.
B&W Minimalism Magazine (2019)
MillePiani Gallery, Rome, Italy - 12 June - 19 July 2020
Parallax Art Fair, Kensington, London - 15-17 February 2019
‘Seeing the unseen’
Blue Moon Gallery, Heswall, Wirral, UK
13th March – 13th May
‘Seeing the unseen’
Wallasey Central Library exhibition space, Wirral, UK
29th February – 12th March
‘Seeing the unseen’ (Solo)
Cornerstone Arts Centre, Didcot, Oxfordshire, UK
15th October - 15th November
Thank you for visiting.
A little bio info…
Based in London, England, my background is science: biology, developmental biology and genetics. Science can seem like a different world to that of photography, but in many ways they are closely linked; I see taking pictures as an extension of the process of experimentation and exploration that is central to science work, as well as a way to reveal and capture the wonder of the natural world.
I work in black and white, with a focus on urban and industrial scenes as well as landscapes and the natural world – these may appear to be very different subject areas, but the same themes appear across them. Underlying my work is an attraction to patterns, lines, contrasts and textures and a fascination with nature – its programmed intricacy, the developmental biology which underlies this, and the way humans seek to imitate it in the structures we build. I find these patterns can be most striking when viewed in the abstract, albeit sometimes with a reference to the ‘real world’, so try to frame my images in this way. Simplicity is also something I am always looking for, particularly in landscapes – and something which is hard to find, but which is all the more special for it.